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Hardcore Twenty-Four
by Janet Evanovich

Trouble comes in bunches for Stephanie Plum. First, professional grave robber and semi-professional loon, Simon Diggery, won’t let her take him in until she agrees to care for his boa constrictor, Ethel. Stephanie’s main qualification for babysitting an extremely large snake is that she owns a stun gun—whether that’s for use on the wandering serpent or the petrified neighbors remains to be seen.

Events take a dark turn when headless bodies start appearing across town. At first, it’s just corpses from a funeral home and the morgue that have had the heads removed. But when a homeless man is murdered and dumped behind a church Stephanie knows that she’s the only one with a prayer of catching this killer.

If all that’s not enough, Diesel’s back in town. The 6-foot-tall, blonde-haired hunk is a man who accepts no limits—that includes locked doors, closed windows and underwear. Trenton’s hottest cop, Joe Morelli isn’t pleased at this unexpected arrival nor is Ranger, the high-powered security consultant who has his own plans for Stephanie.

As usual Jersey’s favorite bounty hunter is stuck in the middle with more questions than answers. What’s the deal with Grandma Mazur’s latest online paramour? Who is behind the startling epidemic of mutilated corpses? And is the enigmatic Diesel’s sudden appearance a coincidence or the cause of recent deadly events?

Midnight in the Garden of Good and Evil
by John Berendt

Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.

The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.